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Semantic Web 101: The Cinémathèque Québécoise Commits to an Open Data...

August 15, 2019

The Push to Grow Alberta’s Film and Television Industry

August 7, 2019

Trailers: How to Tell Your Story in Two Minutes or Less

July 16, 2019

How to Create Captivating Content Using the Secrets of Magic

July 9, 2019

Buffalo Gal Pictures: Conquering Great Stories for 25 Years

July 5, 2019

Film and TV Production: Why It Doesn’t End with the Distribution...

May 29, 2019

Image Rights in Documentaries: Between Respect of the Subject and Public...

November 22, 2018

The Doc Uptick: In a Post-Truth World, Documentary Comes to the...

October 4, 2018

How and Why Creators Are Staying in Canada

September 24, 2018

Can the initial buzz surrounding a crowdfunding campaign guarantee its success?

August 15, 2018

Blockchain and Film: Promises and Mirages of the New Digital Klondike

August 7, 2018

The International Buyers’ Coalition: An Alternative to the Goliaths of Streaming

July 9, 2018

Ravenous: Marketing a Horror Movie in the Social Media Era

March 15, 2018

Canadian Audiences 2017

November 14, 2017

Propellor Film Tech: rewriting the business model of the film industry

July 4, 2017
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LATEST POSTS

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POPULAR POSTS

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