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TOD, fans, and partnerships: new growth opportunities in alternative distribution

January 19, 2017

Can the initial buzz surrounding a crowdfunding campaign guarantee its success?

August 15, 2018
OTT_Platforms_Serving_Specific_Niches

Beyond the Big Five: Niche-Focused OTT Services

October 1, 2020

How and Why Creators Are Staying in Canada

September 24, 2018

Semantic Web 101: The Cinémathèque Québécoise Commits to an Open Data...

August 15, 2019

Blockchain and Film: Promises and Mirages of the New Digital Klondike

August 7, 2018

CtrlEdit: a new tool for producing interactive movies

December 8, 2016
International Documentary Filmmaking Laboratories Credit Margaret Thompson

International Documentary Filmmaking Laboratories: A Practical Guide

February 26, 2020

Propellor Film Tech: rewriting the business model of the film industry

July 4, 2017

Canal+ Canada: The Trojan horse of a French giant?

November 18, 2013

Ravenous: Marketing a Horror Movie in the Social Media Era

March 15, 2018

What Social Doc “Bully” Tells Us about Data Analysis for Producers

April 24, 2014

He Hated Pigeons: Crowdfunding as a Marketing Tool

May 12, 2016

The art of casting in the era of digital storytelling

December 15, 2014

Mirror, Mirror on the Wall, What’s the Fairest Representation of Them...

December 4, 2019
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LATEST POSTS

Black LGBTQ+ communities now have a safe place of their own:...

January 26, 2021

Write Local. Think Global.

January 18, 2021

The Video Game Industry (and Those Outside It) Are Doubling-Down on...

January 15, 2021

POPULAR POSTS

The Rush for TikTok Followers: Will You Be Among the Platform’s...

October 25, 2019

What is the Future of Entertainment?

August 29, 2019

Pitching to Netflix: Tips from the Top

March 22, 2018

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